Christina Viola Oorebeek  

 

 

 

……and god invented dice  (2002)
for soprano, mezzo soprano, midi-keyboard, cello, percussion and sound collages
Duration: 24:30


 

 

 

Music: Christina Viola Oorebeek
Texts:  Anonyomous, Charles Bukowski, Stephen Mallarmé, Thomas Morley, Plato

 

 First performance:  May 31, 2002  Feniks Festival in Anterwerp,
commissioned and performed by Walpurgis Theater Collective
coloratura soprano : Rolande van der Paal
mezzo soprano : Gerrie de Vries
cello : Alex Waterman
midi-keyboard : Yutaka Oya
percussion : Josep Vicente

 

Revision: Doelenensemble 2004, the Doelen, Rotterdam
coloratura soprano : Charlotte Riedijk
mezzo soprano : Gerrie de Vries
cello : Rebecca Smit
midi-keyboard : Maarten van Veen
percussion : Rene Spierings

Program Notes

……and God invented dice  comtemplates  the connection between mankind’s age–old attraction for gambling for money or goods, and the role of chance taking and calculated risks in practically every action man undertakes in daily life.  It is as though man is constantly defying the adagium by Ovidius:

Intra fortunam quisque debet manere suam
( Everyone must remain within the limits of his own fate )

The texts are by the 19th anonymous American gambler, Thomas Morley, Charles Bukowski and Stepane Mallarmé.  These show a progression from the hopes and fears  induced by gambling and  the relativity of loss and gain,  to  the metaphysical concept of fate, so superbly expressed in Mallarmé’s poem, Un Coup de Des.

The real life rhythms of card shuffling  and dice  throwing, played by the  dealer  (percussionsist) in a  stylized card game  with the singers in the  theatrical intermezzo, are echoed in the instrumental music throughout the piece.

The sound collages to be heard in gambling casino’s today, including the electronic jingles and mechanical sounds of the game machines going off at random times, the muzak,  lounge acts and the voices of players offer a lush random carpet used in the prologue and during transitions in the piece.   Las Vegas, in particular, provided the summum of sound material for this project

 

This piece was supported by the Dutch composition fund / het fonds voor de scheppende toonkunst and by steim, thanks, in particular to Daniel Schorno, artistic director of STEIM

 

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